This blog may contain not-so-strong languages and slightly strong ecchi pictures. Please proceed with caution.

Tuesday, 20 May 2014

Skull, HaHa and Kantai Collection Collaboration - Busan Vacance, Part IV + Namo Palbeon Daebosal, Part XXIII: Jangansa, Gijang County, Busan Metropole

Jangansa Temple (Hanja: 長安寺) in Jangan-ri 591 beonji, Jangan-eup, Gijang County, Busan Metropole - dates back to as early as the reign of King Munmu the Great of Silla in 673. Jangansa Temple was founded by the legendary monk, Great Monk Wonhyo. Originally, the temple was called Ssanggyesa Temple, but it was later changed by King Chungjang of Goryeo sometime around 1350 because the temple with the same name is located at Hadong County, Southern Gyeongsang Province. In 1592, much like the rest of Korea, Jangansa Temple was burned to the ground by the invading Japanese during Imjin Invasion. It was later rebuilt in 1638 by the great priest Taeeo. It was later restored in 1654, and recoloured in 1975.

As you approach the large-sized parking lot, and cross a wooden bridge, you’ll stand in front of a beautiful two-storied front gate that also acts as a bell pavilion on the second level. To the left of the entrance gate is a stoic statue of Jijang-bosal (The Bodhisattva of the Afterlife). Uniquely, as you pass through the entrance gate at the temple, you’ll notice that the Four Heavenly Kings that protect the temple aren’t statues, nor are they even paintings; but instead, there are four bronze plaques of the Cheonwang.

Having passed through the Cheonwangmun Gate, you’ll enter into the large temple courtyard. To your immediate right is a gorgeous golden statue of what looks to be Gwanseeum-bosal (The Bodhisattva of Compassion) in a small shrine. And to your immediate right is a fat dharma statue sitting above a stone pond of water. Straight ahead is the squarely shaped main hall. The exterior of this main hall is distinctively adorned with 15 Shim-u-do paintings. This is distinct because the Shim-u-do, Ox-Herding murals, usually only consist of ten. There are also some very beautiful murals of children monk playing much like at Samyeongam Hermitage. The interior of the main hall is gorgeously decorated with some older looking murals. Sitting on the main altar is the triad of Seokgamoni-bul (The Historical Buddha) in the centre, he’s flanked by Yaksayeorae-bul (The Buddha of Medicine) on the right and Amita-bul (The Buddha of the Western Paradise) on the left. On the far right wall, as you enter the main hall, you’ll notice two beautiful murals. The one on the left is a painting of Chilseong (The Seven Stars) and the one on the right is the guardian painting. On the far left wall is a gorgeously painted, perhaps one of the best in all of Korea, of Yongwang (The Dragon King). Next to this painting is a highly original painting of Jijang-bosal holding a baby in his arms. This is definitely a first for me.

Outside, to the right of the main hall, is the San shin-gak shrine hall dedicated to San shin (The Mountain Spirit). Inside this hall is an older looking wood carving dedicated to San shin. The exterior of this hall is decorated with some interestingly designed, and disproportionately painted, Biseon. And still to the right of the main hall, and in front of the San shin-gak, is a compactly designed Nahan-jeon shrine hall dedicated to the disciples of Seokgamoni-bul. The exterior of this hall is decorated with the standard paintings of the Nahan in various poses; however, the inside of the hall is rather interesting, especially the main altar. Sitting on the main altar are three white statues of three various Buddha and Bodhisattvas. Sitting in the centre is Seokgamoni-bul (which represents the present). Sitting to his right is Mireuk-bosal (The Future Buddha), and on the left is Jaehwagalra-bosal (The Past Buddha). Flanking this triad on either side of the three are the sixteen Nahan.

To the left of the main hall is the Myeongbu-jeon shrine hall dedicated to Jijang-bosal and the dead. This hall, much like the San shin-gak, is adorned with some uniquely disproportionate Biseon. However, inside, the hall is gorgeous designed. Sitting on the main hall is a white clad Jijang-bosal. Flanking Jijang-bosal on either side are the Ten Kings of the Underworld. They are all seated and accompanied by some assistants.

Behind this hall, and perhaps one of Jangansa Temple’s most beautiful halls, is a hall dedicated to Amita-bul and the Western Paradise that he represents. Inside, the hall is a golden hue with a statue of Amita-bul lying down on the main altar. He’s flanked by two regal looking Bodhisattvas. Behind you, as you face the altar, are large paintings of the Nahan.